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Watermark Image

Image Watermarking Tool

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*Files deleted after 24 hours

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How to Watermark Image

1 Upload the images you want to mark, already at their final size — watermarking comes after resizing, not before it.
2 Upload a transparent PNG logo or type your text, then choose the font, the colour and the opacity.
3 Set the position, or switch to a tiled repeat when a single corner mark would be too easy to crop away.
4 Download the watermarked Image file; nothing else is added to it.

Watermark Image FAQ

Anything specific to Image worth knowing?
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Yes — the pipeline reads the real format from the file header rather than the extension, so a mislabelled upload still works. It affects when in your workflow the mark should be applied.
After. Watermark the final deliverable at its final size, so the mark stays legible and proportionate. Watermarking a master you will process again means the mark gets resampled and compressed along with everything else.
Concretely, the mark is composited per file with position, scale and opacity applied consistently, which is how you brand a whole set of images identically in one pass. You control the position, the size and the opacity, and the same settings are applied consistently across everything you upload.
Either. Upload a transparent PNG logo, or type text and choose the font, colour and opacity. A tiled repeat is available when one corner mark is too easy to crop away.
No. Watermark Image is free without an account and adds no watermark. Uploads are deleted from the workers shortly after the job completes.
All of the common ones — JPG, JPEG, PNG, WebP, GIF, BMP, TIFF, SVG, ICO, PSD, JFIF and HEIC. You can mix formats freely in one batch; each file is identified from its header and routed to the right decoder.
Yes: free accounts process images up to 25 MB each regardless of which image format you brought; ImageMagick, libjpeg-turbo, libpng and libwebp do the actual work. The cap is per file, so a batch of twenty 5 MB photos is fine even though the total is well over the limit.
EXIF and the ICC colour profile are carried across wherever the target format supports them, and an alpha channel survives into any format that has one. Transparency is only flattened when the destination format has no way to represent it.
MP3.to is built around the format that made portable audio ordinary: universally playable, small enough to ignore, and lossy in a way that only matters if you keep re-encoding it. Audio jobs cluster: the same person who needs a format changed usually needs the file cut, levelled or made smaller in the same sitting. Putting Watermark Image behind the same upload, the same caps and the same account is what turns three tabs into one.
The converter on this site moves audio between MP3, WAV, FLAC, M4A, OGG and Opus, so the output format is a decision you can leave until the end rather than commit to at the start. Doing that after Watermark Image rather than before means the encode happens once, on the file you actually settled on, instead of twice.
The engines are shared — the same ffmpeg build, the same workers, the same limits. What a MP3 site adds is a point of view about bitrates, about what survives an encode and about when a lossless intermediate is worth the upload time. It also starts from one fact about the format this site is named after: MP3 frames are fixed-size blocks, so a cut lands on a frame boundary and gapless playback markers do not survive a re-encode.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is listened to and nothing is indexed. Free accounts exist for history and batch size, not for access.

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