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Adjust WAV Volume

Decibel-Accurate WAV Gain

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*Files deleted after 24 hours

0% 100% 200%
100% = original volume, 50% = half volume, 200% = double volume

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How to Change the Volume of WAV

1 Upload the WAV audio files whose level you want to change.
2 Set a gain in decibels or as a percentage — positive to boost, negative to bring it down.
3 Run it; headroom is checked first, so a boost that would clip is flagged rather than silently squared off.
4 Download the adjusted WAV file.

Adjust WAV Volume FAQ

Anything specific to WAV to know?
+
Yes — WAV is raw PCM, so edits are sample-exact and instant, but the file is about 10 MB per stereo minute and uploads dominate the time. Relevant if you plan to adjust the level more than once.
Yes, though be careful what you are asking for: the same gain on files recorded at different levels keeps them at different levels. If you want them to match, normalise instead.
Concretely, the gain is applied to the PCM samples directly, so the change is exact and reversible; headroom is checked before writing so a boost clips nothing. You set a gain in decibels or as a percentage and it is applied uniformly across the whole file.
Only if it clips. Headroom is checked before the file is written, so a boost that would push peaks past full scale is flagged rather than silently squared off. If the recording is quiet because it is noisy, boosting raises the noise too.
No. Adjust WAV Volume is free with no account required, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job finishes.
WAV, FLAC and AIFF, at any bit depth and sample rate up to and including 24-bit/192 kHz. Lossy files work in the same batch if you are mixing sources.
Yes: free accounts process audio up to 200 MB per file — for uncompressed PCM that is roughly twenty minutes of CD-quality stereo, so it is a real limit here in a way it is not for MP3. If you are over it, converting WAV to FLAC first is the free fix — it is lossless and roughly halves the size.
Yes, unless you change them deliberately. A 24-bit/96 kHz source stays 24-bit/96 kHz — nothing is silently downsampled to 16/44.1, which is the failure mode that makes a master unusable.
MP3.to is built around the format that made portable audio ordinary: universally playable, small enough to ignore, and lossy in a way that only matters if you keep re-encoding it. Audio jobs cluster: the same person who needs a format changed usually needs the file cut, levelled or made smaller in the same sitting. Putting Adjust WAV Volume behind the same upload, the same caps and the same account is what turns three tabs into one.
The converter on this site moves audio between MP3, WAV, FLAC, M4A, OGG and Opus, so the output format is a decision you can leave until the end rather than commit to at the start. Doing that after Adjust WAV Volume rather than before means the encode happens once, on the file you actually settled on, instead of twice.
The engines are shared — the same ffmpeg build, the same workers, the same limits. What a MP3 site adds is a point of view about bitrates, about what survives an encode and about when a lossless intermediate is worth the upload time. It also starts from one fact about the format this site is named after: MP3 frames are fixed-size blocks, so a cut lands on a frame boundary and gapless playback markers do not survive a re-encode.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is listened to and nothing is indexed. Free accounts exist for history and batch size, not for access.

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