Free plan: 1 conversion/hour, 1 file at a time
Go Unlimited →

Adjust Audio Volume

Decibel-Accurate Audio Gain

Pick your files

*Files deleted after 24 hours

Convert files free, Pro users can convert much larger files; Sign up now

Uploading

0%

How to Change the Volume of Audio

1 Upload the audio files whose level you want to change.
2 Set a gain in decibels or as a percentage — positive to boost, negative to bring it down.
3 Run it; headroom is checked first, so a boost that would clip is flagged rather than silently squared off.
4 Download the adjusted Audio file.

Adjust Audio Volume FAQ

Anything specific to Audio to know?
+
Yes — the codec is detected from the stream, so a mislabelled extension does not derail the job. Relevant if you plan to adjust the level more than once.
Yes, though be careful what you are asking for: the same gain on files recorded at different levels keeps them at different levels. If you want them to match, normalise instead.
Concretely, the gain is applied after decode and written back in the source format, with clipping checked before the file is written. You set a gain in decibels or as a percentage and it is applied uniformly across the whole file.
Only if it clips. Headroom is checked before the file is written, so a boost that would push peaks past full scale is flagged rather than silently squared off. If the recording is quiet because it is noisy, boosting raises the noise too.
No. Adjust Audio Volume is free with no account, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job completes.
MP3, WAV, AAC, M4A, FLAC, OGG, Opus, WMA and AIFF. Codecs are detected from the stream rather than the extension, so a mislabelled file still works and a mixed batch is handled per file.
Yes: free accounts process audio up to 15 MB per file whichever codec you brought; ffmpeg handles the decode and encode. In practice that limit only bites on uncompressed WAV; a compressed file of the same length is nowhere near it.
Yes — ID3, Vorbis comments and MP4 atoms are carried across along with embedded artwork, so processed files still sort correctly in a music library.
MP3.to is built around the format that made portable audio ordinary: universally playable, small enough to ignore, and lossy in a way that only matters if you keep re-encoding it. Audio jobs cluster: the same person who needs a format changed usually needs the file cut, levelled or made smaller in the same sitting. Putting Adjust Audio Volume behind the same upload, the same caps and the same account is what turns three tabs into one.
The converter on this site moves audio between MP3, WAV, FLAC, M4A, OGG and Opus, so the output format is a decision you can leave until the end rather than commit to at the start. Doing that after Adjust Audio Volume rather than before means the encode happens once, on the file you actually settled on, instead of twice.
The engines are shared — the same ffmpeg build, the same workers, the same limits. What a MP3 site adds is a point of view about bitrates, about what survives an encode and about when a lossless intermediate is worth the upload time. It also starts from one fact about the format this site is named after: MP3 frames are fixed-size blocks, so a cut lands on a frame boundary and gapless playback markers do not survive a re-encode.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is listened to and nothing is indexed. Free accounts exist for history and batch size, not for access.

Rate this solution
5.0/5 - 0 votes
ns6.com — Buy your domain in minutes. Search, register, launch.
Or place your files here