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Mute Video

Video Sound Stripper

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How to Remove the Audio from Video

1 Upload the videos whose soundtrack you want gone.
2 Confirm that you want the audio track dropped entirely rather than turned down to silence.
3 Run it — the track is removed at the container level and the picture is copied through untouched, so it finishes in seconds.
4 Download the silent Video file, which is also smaller than what you started with.

Mute Video FAQ

Anything specific to Video worth knowing?
+
Yes — the container and codec are probed before anything runs, so mixed uploads in one batch are handled per file. Relevant when the source has more than one audio track.
Mute. A silent track still occupies bitrate and still has to be decoded by the player; dropping it makes the file smaller and removes any chance of it being unmuted downstream.
Concretely, the audio track is removed at the container level and the picture is stream-copied, so the job finishes in seconds whatever the clip length. The result is the same picture with no audio track at all, rather than an audio track turned down to zero.
No. Removing a track is a container operation, so the video stream is copied through bit-identically and the job finishes in seconds regardless of how long the clip is.
No. Mute Video is free without an account, and the output has no watermark, corner logo or intro card. Uploaded video is deleted from the workers shortly after the job completes.
MP4, MOV, MKV, WebM, AVI, WMV, FLV, 3GP, M4V, MPEG and MPG. Each file is probed for its real container and codec before anything runs, so a mixed batch is handled correctly file by file.
Yes: free accounts process video up to 1 GiB per file whichever container you brought; ffmpeg with x264, x265 and libvpx does the encoding. It is high enough that upload speed is usually the binding constraint rather than the cap itself.
They are carried across wherever the target container can hold them, including multiple audio languages, embedded subtitles and chapter markers, rather than silently keeping only the first track of each.
MP3.to is built around the format that made portable audio ordinary: universally playable, small enough to ignore, and lossy in a way that only matters if you keep re-encoding it. Audio jobs cluster: the same person who needs a format changed usually needs the file cut, levelled or made smaller in the same sitting. Putting Mute Video behind the same upload, the same caps and the same account is what turns three tabs into one.
The converter on this site moves audio between MP3, WAV, FLAC, M4A, OGG and Opus, so the output format is a decision you can leave until the end rather than commit to at the start. Doing that after Mute Video rather than before means the encode happens once, on the file you actually settled on, instead of twice.
The engines are shared — the same ffmpeg build, the same workers, the same limits. What a MP3 site adds is a point of view about bitrates, about what survives an encode and about when a lossless intermediate is worth the upload time. It also starts from one fact about the format this site is named after: MP3 frames are fixed-size blocks, so a cut lands on a frame boundary and gapless playback markers do not survive a re-encode.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is listened to and nothing is indexed. Free accounts exist for history and batch size, not for access.

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