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Merge AIFF

AIFF Joiner

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How to Merge AIFF Files

1 Upload every file you want combined — at least two of them.
2 Drag the uploaded items into the order you want; the order is taken from the list, not from the filenames.
3 Start the merge, which joins matching inputs without re-encoding them and reconciles mismatched ones exactly once.
4 Download the single combined AIFF file.

Merge AIFF FAQ

Anything specific to AIFF when merging?
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Yes — AIFF is big-endian PCM where WAV is little-endian; the audio is equivalent, and the choice is really about which ecosystem opens it without complaint. That is worth checking when the inputs did not all come from the same source.
It is whenever the inputs already agree — the encoded data is copied straight through. It stops being lossless only when the inputs disagree and something has to be re-encoded to make them compatible, and even then it is one pass, not one per file.
Concretely, the PCM streams are joined sample-exactly, so the result is bit-identical to the inputs laid end to end — which is why lossless is the right family to assemble a master in. Upload everything you want combined and the result comes back as a single file.
Yes — drag the uploaded items into the order you want before starting. Order is taken from the list, not from the filenames, so "IMG_2.jpg" sorting after "IMG_10.jpg" is not a problem you have to solve first.
No. Merge AIFF is free with no account required, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job finishes.
WAV, FLAC and AIFF, at any bit depth and sample rate up to and including 24-bit/192 kHz. Lossy files work in the same batch if you are mixing sources.
Yes: free accounts process audio up to 200 MB per file — for uncompressed PCM that is roughly twenty minutes of CD-quality stereo, so it is a real limit here in a way it is not for MP3. If you are over it, converting WAV to FLAC first is the free fix — it is lossless and roughly halves the size.
Yes, unless you change them deliberately. A 24-bit/96 kHz source stays 24-bit/96 kHz — nothing is silently downsampled to 16/44.1, which is the failure mode that makes a master unusable.
MP3.to is built around the format that made portable audio ordinary: universally playable, small enough to ignore, and lossy in a way that only matters if you keep re-encoding it. Audio jobs cluster: the same person who needs a format changed usually needs the file cut, levelled or made smaller in the same sitting. Putting Merge AIFF behind the same upload, the same caps and the same account is what turns three tabs into one.
The converter on this site moves audio between MP3, WAV, FLAC, M4A, OGG and Opus, so the output format is a decision you can leave until the end rather than commit to at the start. Doing that after Merge AIFF rather than before means the encode happens once, on the file you actually settled on, instead of twice.
The engines are shared — the same ffmpeg build, the same workers, the same limits. What a MP3 site adds is a point of view about bitrates, about what survives an encode and about when a lossless intermediate is worth the upload time. It also starts from one fact about the format this site is named after: MP3 frames are fixed-size blocks, so a cut lands on a frame boundary and gapless playback markers do not survive a re-encode.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is listened to and nothing is indexed. Free accounts exist for history and batch size, not for access.

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